2020年迪拜世博会捷克馆—— “沙漠花园中,生长出来的锯状云结构”

Formosa AA

2020-04-02 12:31:06

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由Formosa AA设计的捷克馆位于2020年迪拜世博会的可持续发展区,是一个探索之旅。

提出沙漠化栽培的问题,对S.A.W.E.R.植物栽培系统进行了整合和展示。可见技术构成了展馆的主要形式和视觉组成部分。

Located in the sustainability zone of EXPO 2020 Dubai, the Czech pavilion, designed by Formosa AA, is an invitation for discovery. Raising questions concerning desert cultivation, it integrates and exposes the S.A.W.E.R. system cultivation plant. Visible technologies form the main formal and visual components of the pavilion.

捷克馆由四个体量组成,采用钢架系统,形成了物体的框架,捷克馆以“从开垦沙漠的花园中生长出来的锯状云结构”来吸引了游客的注意力。

选用玻璃纤维增强塑料(GFRP)作为覆盖层,其选择的原因是耐气候影响和可持续性特点。

Consisting of four volumes using a steel frame system, forming the framework of the object, the Czech pavilion draws the attention of the visitors with its “Sawer cloud structure that grows out from the garden at the place of the cultivated desert”. Covered with Glass Fibre Reinforced Plastics (GFRP), the material was selected for its resistance to climatic influences and its sustainability characteristics.

该概念指的是S.A.W.E.R.系统是展馆的核心和技术核心。它在许多层面上表现出来的实质是转化。

它使空气在水中流动,把干旱的沙漠变成了鲜花盛开的花园,也改变了人们对捷克共和国的态度。

这种转化潜能的必然条件相当复杂的系统贯穿整个对象。——Formosa AA

The concept refers to the substance of the S.A.W.E.R. system as the heart and technological core of the pavilion. Its substance that is manifested on many levels is transformation. It turns air in water, arid desert in a flowering garden and it also changes the way people perceive the Czech Republic. An inevitable condition of such transformation potential is a considerable complexity of the system that grows through the whole object. -- Formosa AA

入口空间是一个将自然与技术,光与水相互连接的绿洲。

这个区域围绕着一个由S.a.W.E.R.系统和一个名为Lasvit的照明设备产生的水供应的弹簧旋转。装置周围的坡道产生了展览区和画廊。

实际上,“展馆有机体的生命之源是水,它渗透并统一了所有部分,从被灌溉的花园到由其灌溉的泉源,一直到被其启发而形成的有机云状形式” 。

The entrance space holds an oasis that interconnects nature and technology, light and water. This zone revolves around a spring that is fed with water produced by the S.A.W.E.R. system and a lighting installation entitled Lasvit. The ramp around the installation generates exhibition areas and galleries. In fact, “the lifeblood of the pavilion organism is water that penetrates and unifies all its parts starting with the garden that is irrigated by it to a spring that is fed by it up to an organic form of a cloud that is inspired by it”.

展馆的主旨符合连接思想的原则,展馆用作一个网络接口,可从其中以任何方式浏览内容。作为结构的功能概念,此结构使单向通道最小化。

与中央空间相连的餐厅也可以连接到花园或多媒体会议厅。实际上,所有场所都可以组合成直接连接到相邻广场的独立单元。

从花园开始或离开,都将接触到“系统原型,将其作为一个封闭的移动式集装箱形式渗透到整个展馆中,它有可能改变沙漠地区的生活”。

The pavilion configuration supports the principle of connecting minds as the pavilion works as a network interface from where the content may be browsed in any way whatsoever”. A functional concept of the structure, this configuration minimizes single-direction passage. The restaurant, attached to the central space, can also be linked to the garden or to a multimedia conference hall. In fact, all premises may be combined in a single unit directly attached to an adjacent plaza. Starting and exiting from the garden, the visitor is exposed to a “prototype of the system permeating the entire pavilion as a mobile container enclosed version, a product that has the potential to change life in desert areas”.






文章来源: 搜建筑

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